'The Lark's March' album review

'The Lark’s March' – a future milestone of the folk tradition (August 12, 2008)

Doubtless ‘The Lark’s March’ the debut solo album from Patricia Clark will become one of the milestones of the folk tradition. Already a musician of presence and ability with one of the most natural, distinctive styles, Patricia has laid down a flawless album that could come from today or from generations ago. On ‘The Lark’s March’ she seamlessly blends tunes as old as the hills with her own arrangements to deliver in turn both sensitive, humorous and dramatic touches.  

Young musicians occasionally endure reviews that praise their art but echo a tinge of surprise that being young they can produce genius. Patricia may well be young but she touches her art with consummate skill. That has little to do with years, it’s pure talent - and of course superb technique, sensitive skill and an inherent understanding of her subject.

From front to back the album is a pure delight. There are 14 tracks to captivate you, and everyone will find a favourite. My choices include Patricia’s deft touch on that beautiful Turlough Carolan air, ‘Mr O’Connor’s’ - while her version of ‘Seoithin Seo’ is the best I’ve heard in years. With ‘The Groves/The Morning Thrush’ she lifts piping techniques and applies them to the fiddle – and it’s another gem. Patricia’s composition ‘Wipe Your Feet on Your Way Out/ The Bright Lights of Buttevegas’ is joyful music that lifts your soul in a celebration of musical laughter. 'Rosemary Lane', with Josie on vocals, is a beautiful song superbly delivered. The album closes with another finely crafted collection of tunes 'Kitty's Rambles/Headwood Crossing/The Lark's March'.

The enjoyment of this album increases because Patricia works on many tracks with some outstanding musicians who deserve a mention - Rodney Lancashire (bouzouki) Liam Joyce (guitar) Josie Harrington (vocals, guitar) Mark Donnellan (fiddle) and Meabh Felton  (dancer).

Musicians listen and learn to hone their talent and technique, some also soak up the essence of their art, and the difference is magical. Patricia clearly absorbs the tradition in the air she breathes – this album is that good. Enough said.

Tim Carroll, FolkWords