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Does it mean you have to first break it down into small parts in order to play it with the goal to be danceable? Does it have anything to do with musical breaks like a fiddle break in bluegrass ?
I would like to understand this. I ask this because I just looked up the description of the Sally Ann Jonson tune, which is being described as a typical breakdown tune.
Anja, I also listened to Sally Johnson and I thought, wow Sally Johnson is pretty fancy! Did not sound like her style…maybe she meant Sally Ann or Sally Gooden?
This is driving me a little crazy! thankfully I will see her tomorrow at session and I’m gonna ask here again which Sally tune she named her daughter after! :-D
(She also often starts the Irish tune “Sally Gardens”, hehe…)
This is what AI said about “breakdown tune…
A "breakdown tune" is a fast-paced, instrumental dance tune found in American old-time and bluegrass music, characterized by its lively tempo and duple (2/4) or quadruple (4/4) meter, often played at a quick tempo suitable for square dancing.
I think it’s mostly related to a shift in focus. A breakdown in fiddling is usually a faster tempo tune that highlights one or two instruments more clearly and marks a departure from the usual sound of the full ensemble.
It’s a term used in other genres to show a change in focus, often to do the opposite of the bluegrass breakdown and to instead slow down a section and reduce volume before returning to the full intensity of the chorus.
quote:
Originally posted by NCnotesAnja, I also listened to Sally Johnson and I thought, wow Sally Johnson is pretty fancy! Did not sound like her style…maybe she meant Sally Ann or Sally Gooden?
This is driving me a little crazy! thankfully I will see her tomorrow at session and I’m gonna ask here again which Sally tune she named her daughter after! :-D
(She also often starts the Irish tune “Sally Gardens”, hehe…)
This is what AI said about “breakdown tune…
A "breakdown tune" is a fast-paced, instrumental dance tune found in American old-time and bluegrass music, characterized by its lively tempo and duple (2/4) or quadruple (4/4) meter, often played at a quick tempo suitable for square dancing.
Just one for the record. The Sally Gardens reel is a massively popular tune here in Ireland and played in Irish trad sessions around the world. I was surprised to learn that it actually is a Scottish fiddle tune.
martyjoe Where did you get the idea that Sally Gardens is a Scottish tune? Not saying it isn't, but I'd sure like to see some documentation for that claim ....
To the question at hand .... I've always taken the term "breakdown" to indicate a 4/4 or 2/4 tune that is to be played in a particularly fast and high-energy manner, moreso than a typical "reel" - in theory, anyway. I assume there is some correspondence in dance, but I can't speak to that.
[Edit: just noticed that everything I said in my "answer" had already been said ... !]
Edited by - Old Scratch on 10/03/2025 12:28:24
And then there is also the slow song "DOWN BY the Sally Gardens”…
( sweet version here...guitar, bouzouki, voice...https://youtu.be/edrsCz6DWno?si=5hUOnRqv8ofDNjf6 )
Pretty sure that song is Irish though, with words written by Irish poet Yeats...
(sorry for wandering!)
quote:
Originally posted by QuincyDoes it mean you have to first break it down into small parts in order to play it with the goal to be danceable? Does it have anything to do with musical breaks like a fiddle break in bluegrass ?
I would like to understand this. I ask this because I just looked up the description of the Sally Ann Jonson tune, which is being described as a typical breakdown tune.
Not sure what the origin was, but it's generally not important as labels start to get used in different mean somewhat different. More important is what does it mean now, by the person using the term.
Does it mean you have to first break it down into small parts in order to play it with the goal to be danceable?
No.
Does it have anything to do with musical breaks like a fiddle break in bluegrass ?
No.
quote:
Originally posted by RichJ"In the absence of ideas a word stands ready to be used."
Deleuze
I always had this maybe rather strange idea American old time fiddle tunes would go well with Canadian footwork as percussion. I tried it yesterday with Oh! Susanna, playing straight on the beats (I can since recently :-)) but it sounds .... weird, very weird actually. (I now blame it on StrumMachine )
quote:
Originally posted by Quincyquote:
Originally posted by RichJ"In the absence of ideas a word stands ready to be used."
DeleuzeI always had this maybe rather strange idea American old time fiddle tunes would go well with Canadian footwork as percussion. I tried it yesterday with Oh! Susanna, playing straight on the beats (I can since recently :-)) but it sounds .... weird, very weird actually. (I now blame it on StrumMachine )
Luke must have added those tapping feet to keep the Canadian users happy. In the last couple of years StrumMachine has added lots of bells and whistles I rarely use. I do like the walking base line option and use if for many tunes but usually with a simple boom-chuck OT rhythm and nothing else.
I've looked into this a bit in the past. A breakdown dance is listed in some 1800s dancing books. Here's a link to one:
I also found a 'breakdown' being described as an informal dance party with lots of drinks and fiddle music involved... dancers dancing so hard that the floor breaks down.
...a hell raisin shindig house dance sort of an old time rave. Seems to be an informal/non technical vibe thing understood by old time fiddlers.
Edited by - ShawnCraver on 10/17/2025 14:56:44
That is great information and background Shawn. I just recently seriously noticed a fast very vivid version of Arkansas Traveler on my car USB stick and I want to try this what I can hear. It's since my last car ride this afternoon I suddenly feel the absolute need to play this version while before I always skipped this tune. I must have found this version on Slippery Hill and today it changed my mind on the tune. Maybe this one could go through life as a breakdown tune.
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