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ladymuse |
Oh Heck -
OK - got my PC soundcard tweaked (directed by a nicegeek/hacker) but that did the trick, it seems - So I downloaded the wonder program, spoken highly of... (especially when you have no $$ for anything at the moment) Dug out some kind of mic (crappy_ and crappy headphones -)
Not a lot of time to play lately - got some banjo rec-down, currently sounding like I am over a mountain on mars - but hey -
Then discovered and played the built in clic track LOL! Had a blast with THAT! (haven't used a metronone in years)My rhythm's fine - but there is something about those manufactured clic tracks that literally sets me off laughing -
Well, unfortunately, I decided to double track - imported a midi to Mp3 (which played fine, plus screwed around with the change tempo thing - (yes, I remembered to highlight the track - so all my effects to apply were showing)
Played a bit over that, (nice to know that the stuff I arrg/compose for other projects are very playable on fiddle) and went to record over the mp3 track -
Well, no go there - I mean the trac was there, I had a new track for audio-in microphone (fiddlepart)- gain/vol set -
Sure it recorded, but nothing I did got the original rhythm/ back up track to play at the same time - (like overdubing - with earphones, without earphones - it played - just not together - and it's not an align track thing - so how the *** are you supposed to lay another track down? When you have no cues?
Argh - give me analog -
I am sure it's something simple, but I am not at the moment going to wade through manuals, (online) - I got so frustrated, that I pulled out a canister, told a tenant to make me a pot of tea from it - (didn't look) He asked me are you sure? I said use almost a half cup - and took off to my other house to do something -
Unfortunately, my rice canister is exactly the same as my tea canister - so I had a great pot of brewed rice water when I got back - (yes, it's known here I have a sense of humor --)
I had to laugh - made reg tea. and cooked the rice - which MAN! Cooked fast and fluffy!! - maybe running boiling water over it for 10 minutes does something -
Tenant was in stitches - No harm done there - but am not pleased with why I can't hear track that was down, while recording over it.
Got a clue anyone? Could do this with analog just fine -
Jen the frustrated -
TADAH! Went, in an ornery mood, to some forum - guy was having the same problem - (why don't they TELL you this things in the online manual?)
Prob solved - go to edit, go to preferences at the bottom,
clic on, and under the I/O tab - (windows) make sure you check the box that says "play other tracks while recording"
Well, OK - but it would have been nice to know - to bad there isn't a popdown checklist - instead of intuit -
So I imported 2 sides of a duet I made for a student - BOTH played - (in playmode - perfectly synched)
I then added a new trac, mic - and recorded a real stupid ditzy rap with nonsense words to it - (rhythmic though) And could hear the above duet fine. I played all three back, and voila! all three played!
Let this be a lesson on how intuitive this digi program isn't, when you are used to analog recording - But Heck! It works!
(It would be nice to have simple tutorials though - )
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Swing replied to topic 'Lee Cremo on Up Home Tonight' 72 days
Genre: Unknown/None Chosen
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Playing Since: 1961
Experience Level: Purty Good
Interests:
[Teaching] [Jamming] [Socializing] [Helping]
Occupation: writer,composer,fiddler.clawhammer!
Gender: Female
Age: 71
My Instruments:
Now I have 3! a gen-u-wine chinee and An Anton Breton, which was someone's HS student violin - really comfortable! and a pawnshop surprise that @ 80$ turned out to be a highend cremona listed @ 965.00 - plays like butter!! Woo! - So now I have trapped 2 people into playing with me!(used to have 2 or three around) - I'll get there again - and two no name banjos I love, 1 deering goodtime (open back) a beater mandolin, and tons of flutes and whistles. I have gone nuts on clawhammer addiction, and picked up another fiddle at a pawn shop - no lable, but SWEET! Curly maple - think it might be a Scott Cao - - bought it cause I knew it was playable, but MAN! this thing sings and resonates major sweet!!! No lable - beaitifulworkmanship, boxwood fittings.
Favorite Bands/Musicians:
Doc Watson,Incredible String Band,Robin Williamson and his Merry Band,Steeleye Span,Fairport Convention, Highwoods, Walt Koken,Chieftains, heck! anything Irish and Scottish or Old Timey - AND Old English /french German/ medi/renn dances and ballads!) just too many!
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Profile Info:
Visible to: Public
Created 7/6/2007
Last Visit 12/25/2015
That's almost an overwhelming question! (LOL!) Music's in my blood - in fact it is my blood! AS is writing (both words and music - so anything from acapella solo to vocal harmony - to choir,chorale writing or conducting - to fiddle and a few other instruments - but fiddle is my main joy - written, or even more by ear! Just pick it up and go! (Also teaching meself clawhammer banjo -( which, I still play like a fiddler...) Love especially irish, scottish, mountain, folk, old english - cannot hear a melody without instantly going harmony - (probably the welsh in me) Sometime I'll get to a real bio. Everyone who thought they wanted music/school, had to learn to play the Flutaphone - and I was terrified! - because I knew that if I didn't pass, I had no recourse - the adults were in charge, and I couldn't wait years! I HAD to have music!) Suffice to say when I was offered flute or clarinet as a kid, I was affronted. Had to be violin. When I got school lessons, (2nd grade) I don't remember learning to read music - and aside from glancing at the lessons, (in my Belwin string books) I would go home, put on Strauss, Souza, Vivaldi, Mozart & Teleman, etc and close my eyes and play. (my dad used to sit in the back patio after work, with ice tea - and there he taught me, and played records, of every musical style there was. He also taught me ship navigation and astronomy. He started when I was about 4) Best gift a kid ever had! These days - fiddle-wise. I have found myself into more of the folk oriented - irish, scottish, celtic, sea chanties, old time! Bluegrass is okay, but I have an avid leaning toward modal and storytelling! So I often write, and there is a story to be illustrated with it. What can I say, but that my writing mentor is Hans Christian Anderson - and still is... So if I can mix mythology, storytelling, and music together, (or make up a story, imagery to play too, it works! (course, some music for pure pleasure simply as music is fine too!) I write a lot of choral stuff, and honestly just about anything easily inspires stories or tunes. It took me 53 years to admit I was a romantic - (since I am not a big fan of the ~romantic~ period in music -) just a bit gushy drama -angst for my taste , But I am intrigued by the composers themselves! (and any history of tmusic, writers, dance, bards - etc. -and participants, going back to the creation of earth - and before ! LOL! My tastes tend more toward European - not so much the "western" aspect!!! (Smiley - embarrassed and chagrin, at admitting that!!!! Not to much a southwestern/western cowboy/indian person) - Give me the mountains, forests and streams and medieval catacombs, Renaissance, and classical and Baroque - and of course the irish picts and what not - faeries, trolls, Norse, you name it! any thing folklore - or having that potential - But once I looked up the definition fully of a romantic, I just had to laugh!! But don't confuse me with debussy or chopin, or that crew - i like grieg though! anyway! lol!
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